Nietzsche Marcus Aurelius Lao Tzu You

The manual

Symposium

A table of philosophers who argue aloud, in their own rhythms, and may cite only what they actually wrote. You are the host. This is how the evening works.

159seated
60tables laid
121texts held
12schools
44still alive
35quotable
159portraits
01

Lay a table

The app opens with empty chairs, on purpose — nobody is chosen for you. Three ways to fill them, and they are different offers rather than one offer three times.

tap a chair Opens the roster. Every man shows what he will do to your question under his name, which is the thing you are actually choosing between.
search Reaches names, schools and centuries — and what each man argues. Type free will and you get Sapolsky, Spinoza, Harris and Strawson; type stoic, or kier, or 1600s, and it still works the old way.
seat an opponent Pick a man already seated and the app offers people known to argue with him, saying what the disagreement is. It does not compute this — it reads it out of the curated tables, where somebody already wrote down what the fight was about. Where there is no record it says so and offers a draw from another school.
lay a table Sixty curated arguments. Each names the disagreement in a line, because that is the reason to pick one.
seat me a table A draw from all one hundred and fifty-nine. The second chair is always from a different tradition than the first, or the evening opens with two men agreeing.
an evening with… One philosopher, drawn at random from all one hundred and fifty-nine, already seated and already asked a question written for him. The rest of this app is argument; this is the one arrangement where a single man gets to be long, with no floor to yield and nobody waiting. It exists because a list of a hundred and fifty-nine names quietly shrinks to the dozen you already recognise — you do not have to know who Zera Yacob is to spend an evening with him. It remembers the last twenty men drawn and does not offer them again.
your tables Tables you laid yourself and kept, above the curated ones. Each can be laid, revised or forgotten.
clear the table Empties every chair at once, between sittings. The transcript is untouched — this is a change of roster, and what was said still happened. leave is what empties the room.

Two to five chairs. You can seat someone mid-conversation with draw up a chair — he arrives into the argument in progress and answers that, not a fresh question.

The roster open at The sciences, listing Darwin, Turing, von Neumann and others.
Choosing who sitsThe roster opens by school. A living man carries his disclosure in the list itself, before you seat him rather than after.
Forty engraved portrait medallions in a grid, five rows of eight.
                    Each is a philosopher's face struck on a coin in the manner of an
                    engraving, most with his name lettered around the rim, drawn from
                    all twelve schools on the roster.
The facesAll hundred and fifty-nine are drawn portraits, struck as coins and lit by the room — bright for the man with the floor, dimmed for the men listening. Anyone added later keeps a generated face until somebody draws him, so the table never waits on the set being complete. The host has a chair too, and can put his own face in it.
01b

Keep a table of your own

Sixty curated arguments is a good default and a poor ceiling. When a table turns out to be the one you wanted, keep this table saves who was in it and the questions you want to ask them — during the argument, not only after it, because the evening a table proves itself is the evening you will remember to save it.

A name Suggested from the men in it — Socrates & Nietzsche — and yours to overrule.
A line of friction What they disagree about, shown under the name in the menu. Optional, and worth writing.
Your questions Offered under something to ask them whenever those men are seated together, however you got them there — laid from the menu, built by hand, or arrived at by excusing somebody.

Your tables can never shadow or delete a curated one: they are kept apart in the app's own storage and carry their own identifiers. Keeping the same men twice revises the table you already have rather than leaving you two rows you cannot tell apart. A table that names somebody no longer in the roster is withheld from the menu rather than laid short.

02

Ask them something

Type it, or hold the microphone and speak it. Open the sentence with a name and it goes to that man first — “Marcus, does the fort hold?” — and the rest of the table decides for itself whether to join him.

Speaking fills the field; the arrow sends it. Letting go used to send directly, which was one gesture and one decision and is the better design right up until a name comes back misheard — and a question that has gone cannot be recalled, because the table has answered the wrong words. Look at what it heard, fix it if you need to, then send. Swipe the field left, or tap the ✕, to clear it whole.

something to ask them offers questions written for the table as it is actually seated — matched to who is in the chairs, not to which preset you last tapped.

03

What happens in a round

Everyone at the table is scored on how strongly your question touches what they care about. The strongest reaction leads. The man most opposed to him speaks second — friction is the design, not a side effect. A third joins only with a genuinely different angle.

Each contribution arrives in two or three turns: a short opening that states his answer, then the explanation. That is not a style choice — every turn is spoken the moment it is written, so a short opening reaches you while the rest is still being composed.

A name, spoken The narrator says who has the floor — once, on a change of speaker. Nobody reintroduces the man still talking.
A stage direction · laughs, · does not look up. Manner, never mind: what a person in the room would see.
A citation The work he is drawing on, tappable for the reference.
A turning mark His voice is being fetched. Words arrive first; audio follows.
A sitting in progress: five engraved portrait medallions across the top, Marcus Aurelius lit and speaking, a citation under Spooner's turn, two raised hands numbered in the order they went up.
A round in progressMarcus Aurelius has the floor and is lit for it. Spooner's turn carries the work he drew on. Two hands are up, numbered in the order they were raised.
04

Move the conversation

Four things you can ask for that a plain question will not produce.

hear one of them out One man, the floor, no interruptions — his whole position in four to six movements, the first spoken while the rest are still being written.
steelman the other case One philosopher argues another's position in good faith, marked with a laurel, then earns exactly one aside in his own voice. The man whose view it is may judge it.
a raised hand Somebody who was addressed and has not answered. Tap his portrait and take it.
excuse him Remove a man mid-sitting without ending it. Swap one for another and the newcomer arrives at the end of the arc — the table is a sequence of arrivals, not a seating plan.
05

Take the floor

Tap your own portrait and you have asked to speak. The man talking finishes his thought, nobody new begins, and the label under you goes waiting → your turn. Holding the microphone does the same thing and silences the room at once.

Pause Holds the line where it is. Play resumes at the same word.
Interrupt Abandons the line and everything queued behind it.
Mute Makes the table inaudible. The argument continues in text.

Three controls that stop sound and they are not the same. Pause keeps your place. Interrupt does not. Mute does not stop anything — it stops you hearing it.

06

Let them talk without you

For a sitting you cannot attend to — running, driving, cooking. Choose let them talk by themselves before you ask, then ask however you like. The table takes it from there and the toast closes it. Nothing needs tapping again.

LengthExchangesHow they talk
106the usual pace
159the usual pace
2012room to develop
3018room to develop

It quickens near the close, whatever it started as, so the last round is the end of a movement rather than a sudden change of manner. And it stops early when the argument runs dry — a twenty-minute setting ending at eleven is the table having finished, not a fault. take the floor ends it at the next round boundary.

07

End it, or keep it

toast closes the sitting. The table finishes what it was already saying first — the button says letting them finish… while it drains — and then raises a glass.

back to the table Puts the glass down. The argument is intact; one more question is the most ordinary thing to think of after deciding you had finished. The toast is not thrown away: while nobody has spoken since, the button in the top bar reads back to the toast and returns you to it. Once anybody speaks it goes back to raising a new one, because the old one no longer closes this evening.
Saving without a toast All three saves are also in the download menu in the top bar, at any point in an evening. You never have to raise a glass to keep one.
keep the whole sitting Writes both a readable transcript and an archive the app can reopen — named for who was there, what it was about, and the month, day, year and hour: Hume, Kastrup, Rumi. Consciousness — 08-01-26, 2037. The same stamp appears in Kept sittings, character for character, so what you read there is what to look for in Files.
save the voices An audio recording of the evening, your questions included. Every turn is brought to the same loudness on the way out, so a cloud voice and a phone voice sit at one level and the volume does not need touching when the speaker changes.
kept sittings Every evening you kept. Two things to do with one: hear it again plays it back line by line in the voices that said it, and carry it on reseats the same men with the argument behind them, so the next question continues it rather than starting a new one.

A rough copy is written after every round, whether you ask or not, as Unfinished sitting.txt in Files → On My iPhone → Symposium. It survives a crash. It is the words, not the audio, and the next evening overwrites it.

Carrying one on rebuilds what the philosophers were told: the question, the rounds in the order they happened, and every interjection of yours between them. What is not rebuilt is how strongly each man reacted — those numbers decide who leads a round, they are spent by the time it is over, and inventing them would read as evidence of something. A sitting merely reopened stays a recording, and the screen says which you are looking at.

08

Open one again

The sliders icon in the top bar → Kept sittings. Everything you kept is there, newest first, each row showing when it was, how many lines it ran to, whether it was toasted, and who was at it. Reachable between sittings and from the toast — not mid-argument, because opening one replaces what is on screen.

hear it again Playback. The words go back on screen and the same men are reseated — which is not decoration, since voices are assigned per chair and per philosopher, and an evening reopened at a different table would be read back in the wrong voices. Tap any speaker to hear from there, or hear it all to run the whole thing.
carry it on The same men, with the argument behind them. The question, the rounds in the order they happened and every interjection of yours between them are handed back to the philosophers, the floor opens, and your next question continues the evening instead of starting a new one.

Two files are written and only one of them reloads. The .txt is for a person: it is what you send somebody or read on a laptop, and it is deliberately lossy — speaker, words, citation, and nothing a machine would need. The .symposium archive beside it is for the app, and it is the one Kept sittings lists. Editing or renaming the text file changes nothing about what can be reopened.

Both land in Files → On My iPhone → Symposium, so an evening can be moved to a computer, backed up, or handed to somebody. Carrying one on needs the archive, so keep it if you think you might want the argument again — keep the whole sitting writes both, and save the voices writes the audio separately.

The toast: one closing line each from Spooner, Nietzsche, La Boetie, Marcus Aurelius and Lao Tzu.
The toastOne line each, in the order they last spoke, and then the candles gutter.

What they remember

They have met you before

Each sitting is recorded as a gist and read back at the next one, so a philosopher can say “when you were last here you doubted…” — and will not reuse an image or an opening he has already spent on you.

He remembers only the evenings he was actually at. A man recalling a conversation he was absent from is inventing one, which is the same fault as an invented citation and harder to catch, because you may half-remember it too and agree.

A steelman is recorded as a case put, never as a view held. He argued it because you asked. The same is true of a movement — see below.

How hard they press

Cordial, candid, adversarial

One dial in the settings menu, and a different question from whether anybody's mind changes. A man can be immovable and courteous, or open to persuasion and merciless.

SettingWhat changes
CordialThey say what is right in the other man's case before pressing, and take the disagreement up from there. Fewer interruptions.
CandidThe default, and what an evening has always been: the second turn goes to whoever stands most opposed, and they argue. Adds nothing to the round.
AdversarialThey find the weakest joint and put their weight on it, name an evasion when they see one, and will not let a question be answered sideways.

Both ends carry a floor, and it is a different one at each end. Cordial is not permission to stop disagreeing — a table that agrees is five men saying nothing at length, and friction is the design. Adversarial is not permission to be personal: against the position, never the man, and no diagnosis of anybody's motives. Those two failures are what this app exists to avoid, and a manner setting must not smuggle either one in.

Never in the opening round, whichever way it is set — two men are stating positions and there is nothing yet to press on. Change it mid-argument and it takes effect at the next round.

When somebody gives ground

They can be moved

A table where nobody ever moves is not a symposium; it is five lectures taking turns. So something said in the room — by another philosopher, or by you — can change what a man says next, and the turn is marked when it does.

Always on, and the floor below is what makes that safe. It was a setting for a while and is not one now: two dials for one evening was one too many, and the bound here is a type with two cases and an audit behind it rather than a request that might be ignored.

Grants the point A premise conceded while the conclusion is still refused. You are right that the contract cannot be produced. It does not follow that I owe you nothing. This is what a serious person does under pressure, and it is the commonest honest form of being persuaded.
Follows his own argument A consequence of his own commitments that he had not drawn until somebody put the case in front of him. Nothing is imported; something is noticed, and he is still exactly who he was — one step further along his own road.

There is no third move, and that is enforced rather than requested. A load-bearing commitment is never abandoned: the reply is refused and the turn dropped. A movement must name who caused it, and that person must actually be in the room. Nobody is moved in the opening round, because nothing has been said yet to be moved from. And a man cannot move himself.

It is never remembered as his position. He granted something to somebody on one evening; that happened, and you may refer to it. What does not survive is the reading that he now believes it — a philosopher rewritten one concession at a time would drift out of himself over a season of sittings, and nobody would see it happening. It is also rare on purpose: a man who concedes something every round is not open-minded, he is furniture.

The rules they cannot break

Why the citations can be trusted

Every integrity rule here is enforced in code, not merely requested in a prompt. A turn that breaks one is dropped before it can be spoken.

Own library only A philosopher may name his own works, by exact title. Nothing invented, nothing borrowed from the man beside him.
Exclusions honoured Books he did not write, could not have written, or that were assembled after his death are refused — with the reason attached.
Quotation verified Exact words are permitted only where the app holds the text and can check them. Everything else is paraphrase.
Spoken work, never quoted A lecture or interview may be cited and never quoted verbatim.
Manner, not mind Stage directions describe what a person in the room would observe. Never what a man is feeling.

Thirty-five philosophers can be quoted exactly today, across 121 bundled texts: Aristotle, Augustine, Bacon, Berkeley, Comte, Confucius, Darwin, Descartes, Diogenes, Dostoevsky, Douglass, Einstein, Epictetus, Hobbes, Hume, James, Julian, Kant, Leibniz, Locke, Marcus Aurelius, Marx, Mill, Nietzsche, Plato, Pythagoras, Rousseau, Russell, Schopenhauer, Seneca, Socrates, Spinoza, Spooner, Tolstoy and Whitehead. For everyone else, quotation is refused rather than guessed — and you can change that yourself for any of them, by adding a source and fetching it.

Your own material

Giving one of them a source

On the table screen, give one of them a source → the philosopher's name. Then a title, the link, optionally a note on where in it or why it matters, and whether it is a talk or video or something written — and Add it to his library. The sheet lists what he can already cite underneath, so you are not adding a second copy of a book he has.

He may cite it from the next round on, and the control is reachable mid-argument, which is usually when you want it: the moment to hand somebody a source is the moment he has said something it bears on. Swipe a source in that sheet to take it back out.

Title only, at first Until you fetch it, the app sends him the title, the address and your note — nothing else. He can name the source and ask you what is in it, and he cannot describe its contents or quote a word. Your note is the only thing that reaches him about what it says.
fetch the text Then he has read it. The app downloads the page, pulls the words out and keeps them on this iPhone. From that moment he can discuss what is in it, disagree with it, and quote it exactly — because every quotation is checked against the stored text word for word, which is the same rule the bundled books live under rather than an exception to it.
A link is required Nothing is added without one. A claim nobody can follow is unfalsifiable in practice, which is worse than merely unverified — so the link is the check, and it is yours to make in one tap from the citation.
Cited, never quoted The app holds no text for it and cannot check a word, so the ordinary rule applies with no exception: exact words only where they can be verified. A turn that tries is dropped.
Named as yours He must call it your source, not something he published. The citation says so on screen, and so does the saved transcript.
Not evidence of his view It is material he has been handed. He may disagree with it, and is told he may.

What fetching can read. Plain text, ordinary web pages, and PDFs that have a text layer. A scanned PDF with no text in it, or a page that builds itself entirely in JavaScript, will come back empty and say so. Nothing is stored silently: if the fetch fails you are told which way it failed, because a source you believe was captured and was not is the worst outcome here — you would go on expecting him to have read something nobody downloaded.

Video transcripts work well, and are worth knowing about: paste the link to a transcript rather than to the video, and the talk becomes as quotable as a book.

This is the one place the closed library opens, and it is worth being plain about the trade. The researched library is a promise the app makes: somebody checked that the man wrote the book and that the title is the title. A source you add carries no such promise — what it carries instead is an address, which is a stronger guarantee than most footnotes offer, and the reason it can be let in at all.

The roster

A hundred and fifty-nine, in twelve schools

Grouped by where a man stands rather than when he lived. The groups exist to make a menu navigable, not to settle historiography.

SchoolSeatsWho you will find
The ancients12Marcus Aurelius, Plato, Aristotle, Plotinus, Socrates, Diogenes, Heraclitus, Epicurus, Epictetus, Seneca, Pythagoras, Democritus
The Eastern schools9Lao Tzu, Confucius, the Buddha, Abhinavagupta, Mencius, Vivekananda, Zhuangzi, Mozi, Shen Dao
The age of reason10Hume, Hobbes, Kant, Descartes, Locke, Spinoza, Rousseau, Elisabeth of Bohemia, Zera Yacob, Leibniz
After Kant12Nietzsche, Hegel, Schopenhauer, Marx, Kierkegaard, Heidegger, Derrida, Schelling, Mill, Acharya Prashant, Mainländer, Ortega
Mind and matter19Wittgenstein, Kastrup, Penrose, Dennett, Churchland, Woollacott, Anscombe, Hoffman, Gallimore, Chomsky, Nagel, Searle, McDowell, Paul Churchland, Hameroff, McGilchrist, Fodor, Putnam, Marr
Power and refusal15La Boétie, Spooner, Arendt, Douglass, Tolstoy, Larken Rose, Foucault, Rothbard, Ellul, Nock, Orwell, Hitchens, Łobaczewski, Tannehill, Corbett
Faith and the mystics16Weil, Teresa, Aquinas, Avicenna, Rumi, John of the Cross, Eckhart, Yogananda, de Mello, Watts, Dyer, Augustine, Tillich, Hildegard, Julian, Bonhoeffer
Existence and the absurd12Beauvoir, Frankl, Sartre, Camus, Dostoevsky, Husserl, Unamuno, Peterson, Vervaeke, Campbell, Cioran, Caraco
The sciences15Darwin, Turing, von Neumann, Levin, Margulis, Faggin, Shannon, Wheeler, Gödel, Cantor, Dawkins, Sagan, Deutsch, Rovelli, Tegmark
Mysticism, mind and computation11Schrödinger, Bohm, Berkeley, Whitehead, Planck, Einstein, Luria, Wolfram, Nørretranders, Pribram, Chaitin
Philosophy of science12Popper, Kuhn, James, Russell, Comte, Bacon, Peirce, Lakatos, Feyerabend, Jung, Meyer, Shermer
Free will, consciousness and AI16Sapolsky, Chalmers, Friston, Tononi, Carhart-Harris, Bostrom, Yampolskiy, Virk, Sheldrake, Torday, Hofstadter, Harris, Clark, Strawson, Hassabis, Minsky

Forty-four of them are alive. Those carry a standing disclosure: a living person can be got wrong in public, by name, and be around to see it — so the screen says plainly that this is a construction from published work and that he has not been consulted.

Two Simones, three Thomases

Calling a man by name

Where a given name is shared, everyone who shares it takes a surname initial — Karl M and Karl P, Simone W and Simone B, Thomas H, Thomas A and Thomas K.

The bare name reaches nobody, deliberately. Guessing between two men is worse than asking again, and you would hear the wrong one answer with no sign that anything had gone wrong.

Spelling is no help. Georg Cantor and George Berkeley are one name across a table, and dictation picks a spelling for you — so neither given name reaches anybody while both are seated, and each is addressed by surname. A name a letter or two out still finds its man (Larkin reaches Larken Rose), but never when it could find two.

Voices

Who sounds like whom

The phone's own voices work with no setup and no cost. Cloud voices are better and are billed per character; the server holds the key and enforces a daily budget, so the system voices take over rather than the table going quiet.

who is speaking Assign a voice per chair, and tell them what to call you. The first row is the narrator — the voice that says a name before every turn, and so the one you hear most often and are most likely to want changed.
cloud voices Search the whole roster, see who still lacks a voice, and fill the rest without overwriting the ones you chose.

Give your name and they will use it — sparingly, once or twice an evening, at the moment a man turns to you. A name in every turn is the register of a hold queue and would undo the thing it was added for.

The settings menu, with the three voice controls grouped at the top — who is speaking, give them real voices, how names are said — and pace, register and the remaining toggles below them.
Everything elseThe three voice controls sit at the top, because one of them is what anybody is actually looking for. Below them: pace, how hard they press, whether a speaker is announced, your kept sittings — and this manual.

When something goes wrong

What the messages mean

Overloaded The service is busy. It is retried for you before you ever see this; when you do, wait a few seconds and use the button underneath.
let them finish The connection dropped part-way. What you heard stands; this asks for the rest.
ask them again The fault landed before anybody spoke. Re-poses your question unchanged.
System voices took over A cloud voice failed once. The words are unchanged. It clears itself, and you can tap it away.

You never have to leave a sitting to recover from a fault. Every transient failure offers the way onward directly beneath it.

One thing to know

The roster ships with the app

Philosophers, curated tables and bundled texts are compiled into the app itself. There is no database and nothing downloads in the background. Anyone added since your last install is not there until you build again — which is worth remembering the day a search comes back empty for a man you know exists.


Symposium · a spoken table

They cite only what they wrote. Where the words cannot be checked, they paraphrase and say so.